{"id":9539,"date":"2025-04-21T10:25:09","date_gmt":"2025-04-21T07:25:09","guid":{"rendered":"https:\/\/ioannaneophytou.com\/?p=9539"},"modified":"2025-04-28T11:13:22","modified_gmt":"2025-04-28T08:13:22","slug":"lart-de-la-contre-visualite-quand-les-artistes-sapproprient-la-vision-machinique","status":"publish","type":"post","link":"https:\/\/ioannaneophytou.com\/index.php\/2025\/04\/21\/lart-de-la-contre-visualite-quand-les-artistes-sapproprient-la-vision-machinique\/","title":{"rendered":"L\u2019art de la contre-visualit\u00e9: Quand les artistes s\u2019approprient la vision machinique"},"content":{"rendered":"\t\t<div data-elementor-type=\"wp-post\" data-elementor-id=\"9539\" class=\"elementor elementor-9539\" data-elementor-post-type=\"post\">\n\t\t\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-fe6baee elementor-section-full_width elementor-section-height-default elementor-section-height-default\" data-id=\"fe6baee\" data-element_type=\"section\" data-e-type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-no\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-100 elementor-top-column elementor-element elementor-element-0585dab\" data-id=\"0585dab\" data-element_type=\"column\" data-e-type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-4f16d25 elementor-widget elementor-widget-heading\" data-id=\"4f16d25\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"heading.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<h2 class=\"elementor-heading-title elementor-size-default\">Article published in the scientifique revue  IMAGES EN TR@NSIT 2024, REVUE, n\u00b01<br>\n<a class=\"custom_link_color\" target=\"_blank\" href=\"https:\/\/turbulences-revue.univ-amu.fr\/category\/revue\/revue-01\/\">https:\/\/turbulences-revue.univ-amu.fr\/category\/revue\/revue-01\/r<\/a><\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-7f42424 elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"7f42424\" data-element_type=\"section\" data-e-type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-100 elementor-top-column elementor-element elementor-element-6dee6e5\" data-id=\"6dee6e5\" data-element_type=\"column\" data-e-type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-cfe2774 elementor-widget elementor-widget-image\" data-id=\"cfe2774\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"image.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t\t\t\t<figure class=\"wp-caption\">\n\t\t\t\t\t\t\t\t\t\t<img fetchpriority=\"high\" decoding=\"async\" width=\"512\" height=\"512\" src=\"https:\/\/ioannaneophytou.com\/wp-content\/uploads\/2025\/04\/17.jpeg\" class=\"attachment-large size-large wp-image-9535\" alt=\"\u0152il \/Machine I\" srcset=\"https:\/\/ioannaneophytou.com\/wp-content\/uploads\/2025\/04\/17.jpeg 512w, https:\/\/ioannaneophytou.com\/wp-content\/uploads\/2025\/04\/17-300x300.jpeg 300w, https:\/\/ioannaneophytou.com\/wp-content\/uploads\/2025\/04\/17-150x150.jpeg 150w\" sizes=\"(max-width: 512px) 100vw, 512px\" \/>\t\t\t\t\t\t\t\t\t\t\t<figcaption class=\"widget-image-caption wp-caption-text\">Harun Farocki, \u0152il \/Machine I, vid\u00e9o, 2002, capture screen. \u00a9 Harun Farocki<\/figcaption>\n\t\t\t\t\t\t\t\t\t\t<\/figure>\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-bbea6b1 elementor-section-full_width elementor-section-height-default elementor-section-height-default\" data-id=\"bbea6b1\" data-element_type=\"section\" data-e-type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-100 elementor-top-column elementor-element elementor-element-67010ab\" data-id=\"67010ab\" data-element_type=\"column\" data-e-type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-2f13ac9 elementor-widget elementor-widget-text-editor\" data-id=\"2f13ac9\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t<h3>Link to the article:<\/h3>\n<p><a class=\"custom_link_color\" target=\"_blank\"  href=\"https:\/\/turbulences-revue.univ-amu.fr\/lart-de-la-contre-visualite-quand-les-artistes-sapproprient-la-vision-machinique\/\">https:\/\/turbulences-revue.univ-amu.fr\/lart-de-la-contre-visualite-quand-les-artistes-sapproprient-la-vision-machinique\/<\/a><\/p><br>\n\n<h3>Download link:<\/h3>\n<p><a class=\"custom_link_color\" href=\"https:\/\/turbulences-revue.univ-amu.fr\/pdf\/revue-turbulences-01-ioanna-neophytou-art-de-la-contre-visualite-quand-les-artistes-sapproprient-la-vision-machinique.pdf\">https:\/\/turbulences-revue.univ-amu.fr\/pdf\/revue-turbulences-01-ioanna-neophytou-art-de-la-contre-visualite-quand-les-artistes-sapproprient-la-vision-machinique.pdf<\/a><\/p><br>\n\n<h3>R\u00e9sum\u00e9:<\/h3>\n<p>Dans cet article, nous nous pencherons sur le d\u00e9fi de la visibilit\u00e9 \u00e0 l\u2019\u00e8re de l\u2019acc\u00e9l\u00e9ration technologique, \u00e0 travers quelques \u00e9tudes de cas d\u2019\u0153uvres s\u2019appropriant les images op\u00e9ratoires ou la vision machinique dans leur processus cr\u00e9atif. Nous nous int\u00e9resserons particuli\u00e8rement \u00e0 la mani\u00e8re originale dont les artistes Harun Farocki, Tomas van Houtryve et Richard Mosse traitent de la r\u00e9alit\u00e9 militaire dans leurs cr\u00e9ations, en opposant une contre-visualit\u00e9 aux diff\u00e9rentes formes d\u2019exercice du pouvoir. Ces tentatives se traduisent souvent par l\u2019appropriation d\u2019archives visuelles ou des techniques de visualisation sophistiqu\u00e9es elles-m\u00eames, afin de questionner leurs limites repr\u00e9sentationnelles. Mais quels sont les d\u00e9fis pos\u00e9s aujourd\u2019hui par ces d\u00e9marches actualis\u00e9es en ce d\u00e9but de XXIe si\u00e8cle\u00a0? Quelles sont les limites et les possibilit\u00e9s li\u00e9es \u00e0 la production d\u2019un objet esth\u00e9tique \u00e0 travers des machines de vision ayant une fonction et une d\u00e9signation li\u00e9es \u00e0 la surveillance, et donc radicalement oppos\u00e9es?<\/p>\n\n<p><strong>Mots-clefs:<\/strong><br>\ncontre-visualit\u00e9, images op\u00e9ratoires, r\u00e9alisme de capteur, script, sensor realism, vision artificielle<\/p>\n\n<p><strong>Pour citer cet article:<\/strong><br>\nIoanna Neophytou, \u201cL\u2019art de la contre-visualit\u00e9\u00a0: quand les artistes s\u2019approprient la vision machinique\u201d, publi\u00e9 le 29 f\u00e9vrier 2024, Revue Turbulences #01 \u01c0 2024, en ligne, URL: https:\/\/turbulences-revue.univ-amu.fr\/wp\/01-ioanna-neophytou-artde-la-contre-visualite-quand-les-artistes-sapproprient-la-vision-machinique, derni\u00e8re consultation le 4 ao\u00fbt 2024.\n\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<\/div>\n\t\t","protected":false},"excerpt":{"rendered":"<p>Article published in the scientifique revue IMAGES EN TR@NSIT 2024, REVUE, n\u00b01 https:\/\/turbulences-revue.univ-amu.fr\/category\/revue\/revue-01\/r Harun Farocki, \u0152il \/Machine I, vid\u00e9o, 2002, capture screen. \u00a9 Harun Farocki Link to the article: https:\/\/turbulences-revue.univ-amu.fr\/lart-de-la-contre-visualite-quand-les-artistes-sapproprient-la-vision-machinique\/ Download link: https:\/\/turbulences-revue.univ-amu.fr\/pdf\/revue-turbulences-01-ioanna-neophytou-art-de-la-contre-visualite-quand-les-artistes-sapproprient-la-vision-machinique.pdf R\u00e9sum\u00e9: Dans cet article, nous nous pencherons sur le d\u00e9fi de la visibilit\u00e9 \u00e0 l\u2019\u00e8re de l\u2019acc\u00e9l\u00e9ration technologique, \u00e0 travers quelques \u00e9tudes [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":9622,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[26],"tags":[],"class_list":["post-9539","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-research"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.3 - 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